![]() We also collect your search criteria and shopping history. Our servers automatically record certain information sent by your browser, such as your web page or resource request, your IP address or domain names of the computers you use, your referring/exit URLs, your browser type and operating system, the date and time of your request, and other parameters concerning your operating system and computer environment. We collect personal information about you automatically when you: ![]() Inferences drawn from the categories described above in order to create a profile about you to reflect your preferences and characteristics.Personal location information (including itinerary information, precise location information, latitude and longitude) and.Information about your equipment used to access the Site (such as hardware model, operating system type).Internet activity, like your online identifier, IP address, browsing history, search history, click history, information about how you navigate within our Services and which elements of our Services you use the most.Sensory/Biometric information, like CCTV images in our stores from security cameras.Commercial information, like products you purchased, considered, or viewed on our Site or in our stores.Financial information, like your credit card number or debit card number you’ve used in a transaction with us, bank account information and transaction records.Protected classifications, like your race, veteran status, and disability status, as provided when you apply for employment through our website.Identifiers, such as your name, email, postal address, account name, birth date and phone number. ![]() We collect the following categories and types of personal information Sands is Assistant Professor of Studio Arts at Metropolitan State University.For the purposes of this Privacy Notice, personal information means information that identifies, relates to, describes, is capable of being associated with, or could reasonably be linked, directly or indirectly, with a particular consumer or household. She has received numerous national and international awards for her work and belongs in the permanent collections of the National Taiwan Museum of Art, New York Public Library, Montefiore Hospital, the Rourke Museum and Gallery, Pratt Institute, Manhattan Graphics Center, Metropolitan State University, Buena Vista University, Central Lakes College as well as many private parties. Exploring extreme scale (both life-size and miniature) has become an important way for me to broaden the range of possibilities with printmaking.Īmy Sands has exhibited her work in solo and group shows both nationally and internationally, including: Prints Tokyo 2012, Tokyo Metropolitan Art Museum the National Taiwan Museum of Art International Printmaking Biennial of Douro, Portugal the 2003 Madrid International Print Fair, Madrid, Spain (Estampa) and the 2016 Delta National Small Prints exhibition at the Bradbury Museum in Jonesboro, Arkansas. The balance of the delicate and the mechanical adds an additional element to the concept of gender roles referenced in the handwork. Post-digital printmaking processes such as laser cutters and CNC routers have entered my practice and have allowed me to expand on ways of thinking about the print. In addition to merging the ideas of “craft” and “fine art,” my work pushes the boundaries of what has been historically defined as a print. ![]() “Craft” is often illegitimately considered low-brow when compared to “fine art,” and I aim to conflate these notions by bringing the patterns of craft into prints. Patriarchal systems have inhibited female artists from being recognized for their work throughout history. Imagery sourced from lace and craft doilies emerge from my paper abstractions, giving homage to the history of women’s work and raising the question of what is valued in our culture. I have been exploring the concept of women’s work in my art.
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